Song List
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Performers: Jeff Barnes-Percussion Bonnie Burns-Vocal, Flute Pete Fand-Bass Buddy Grecco-Harp Rod Horowitz-Vocal Marc Landesberg-Bass Bob Lepre-Percussion Ross Owens-Harp Peter Pasco-Banjo, Guitar Bob Ross-Bass David Ruderman-Bass Abrahm Stuart-Fiddle, Mandolin,Percussion Constance Taylor,Vocal Bill Ring-Vocal,Guitar Harmonium,Dulcimer, Harp Notes: Songs 1-3 from "Cool Dolphin" w/Constance Taylor. Other songs from that tape are on her CD "Ten Years Before" Songs 4-10 from "Ironwood" tape Songs 11,12 recorded live at Sun Mt Cafe Jan 21, 1989. Songs 13-18 From "Heaven Somewhere" Engineering by Bill Ring © 2002 William G. Ring
Song List
Click titles to stream
Real Audio files.
Free MP3 files
at end of list.
Liner notes
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Liner Notes
Whirl -Newage
complaint rock (is this a genre?) Featuring vocals by Constance Taylor,
drum programing by Jay Byrd, bass by Bob Ross, and a truly demented
clavinet lead by John Pendley.
Tonight in the Alehouse - Apparently a comment
on the head-in-sand approach to dealing with disaster. (Even I am
not sure just what some of
these songs are about.)
Card Games - A meditation on mortality.
Sand - Like the two previous songs, a solo effort. Polyrhythmic instrumentals with lyrics reflecting on duality. (Yang, Yin, and company)
Dancers at the End of Time - Named after the books by Michael Moorcock. Vocals by Constance Taylor, bass by Bob Ross.
Sounds of the Venusian Rain Forest - Sound sculpture featuring rain stick, friction drums, and other small percussion instruments. Just over thirty minutes long with no loops or samples.
All songs written, arranged, and engineered by Bill
Ring
All vocals, guitars, and midi programming by Bill Ring except as noted
above.
© 2004 William G. Ring
Live with Bonnie Burns
and Marc Landesberg
Just after Christmas 2002, Bill Ring moved from
New York City, his life-long home, to a renovated barn in the Catskills,
where he set up his new recording studio. Since then he has been compiling
and remastering his earlier recordings and working on a new album
called Still On My Mind.
"The barn has the most incredible sound
- better than any studio I've ever worked in. The high ceiling and
oddly angled walls give it a natural ambience like nothing I've ever
heard. The first time I walked into the place I clapped my hands,
listened to the reverberation, and just about knocked the landlady
down and forced-fed her my deposit check.
"The completion of Still On My Mind
is the end of a creative and technical Odyssey that began with buying
my first guitar at age 16 and getting my first sound-mixing gig as
roadie for the Elephant's Memory in 1969. I've been writing songs,
performing, and engineering ever since."
Bill Ring began playing in New York City
in 1968. His first band, Another Country, was a folk-rock group that
played mostly at the appropriately named Cafe Bizzare on Third St.
in Greenwich Village. That club, along with pretty much every other
venue they ever played (including the old Sterns department store
across 42nd St from Bryant Park!) has long since been torn down and
plowed under.
After 15 years of solo performing, Bill joined
with Sally Eaton and Peter Pasco to form a new version of Another
Country, featuring assorted acoustic instruments, three-part harmonies,
and the considerable songwriting talents of all three. The acoustic
edition of Another Country appeared frequently at Speakeasy and Folk
City, both of which no longer exist. (Anyone notice a trend here?)
Along the way he mixed live sound for performers
including Herbie Mann, Aretha Franklin, Paul Butterfield, Kiss, and
many others. He has also been an electronics designer and chief tech
at a major New York studio.
After Another Country, Bill began working
with his backup band, Ironwood, which at one time or another has included
most of the musicians listed in the notes of the CD Bill Ring and
Friends. There was also a short-lived collaboration known as Sixteen
Wheeler, which featured Bonnie Burns, Jaki D'accardi, and David Ruderman
for one gig at Wetlands, and Rod Horowitz in place of David at the
Eagle Tavern.
In 1991 Bill teamed with Constance Taylor
to front Ironwood. They also appeared as a duo under the name Cool
Dolphin. (Constance now lives and performs in San Francisco. Check
out her
page on this website.)
Besides the clubs mentioned above, Bill Ring
has been heard live and recorded on many NY area radio stations, including
WBAI and WQXR, and on college and community stations around the USA.
Now that Still On My Mind is completed, he
intends to resume performing again, primarily upstate where he lives.
His recordings include:
Song List
Click titles to stream
Real Audio files.
Free MP3 files
at end of list.
Liner notes
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Liner Notes
Mehndi hand - Loretta Roome Everything else - Bill Ring Song Notes:
Adam Smith - I was hoping this song about reduced economic expectations would seem out of date by now. Silly me.
Love in a Jar - Complaint rock with sex and drug references - something for everyone.
Peacoat - This song started out to be about a particular lover, but wound up being about several different ones. Anybody know the feeling? Believe it or Not - Sort of jazzy with a cheesy sax lead. (Or is this so out-of- date that it is now vintage and therefor cool?)
Probably - My dubious attempt at a Buddy Holly style.
Stuck Again For the First Time - Fast, funky. I like the synth bass line.
I Hope You Dont Mind - By far the nastiest song Ive ever released (though not the worst Ive written). No apologies, but it did present a challenge figuring out what song to put after it. Since anything I selected would have been a drastic change of mood, I decided to go for broke and follow up with my most positive song:
People All Over the World - This childrens song was written for a play about the man in the moon that was supposed to star Roger Daltrey. In the story, childrens dreams and wishes come to the man in the moon like letters. This song is his response.
Gypsy Lady - Its only rock and roll, but I like it.
Little Dog - My take on an old blues lyric.
Im Your Man - No relation to the Leonard Cohen song. The only country song on this CD.
Always Tomorrow - I will probably do this over in a different style eventually, but I like the feel of this version.
Goodbye- The arrangement is a bit too happy for some peoples taste, considering the lyric, but one persons contrast is anothers conflict.
In the Eye - By far the folkiest song on this disc. The flute is another cheesy synth classic.
© 2004 William G. Ring
Song List
Click titles to stream
Real Audio files.
Free MP3 files
at end of list.
Liner notes
after downloads.
Liner Notes
This is the last of my
pre-millenium remix/
remaster CD's. The
songs cover a hotch-
potch of styles, from
acoustic ensemble to
midi-produced
pseudo-jazz to solo
folk to wierd instru-
mentals. If you don't
like the genre, wait 5
minutes.
Credits
Songs
1-6:
Background Vocals -
Bonnie Burns
Rod Horowitz
Constance Taylor
Banjo - Peter Pasco
Bass
- Bob Ross
Fiddle - Abrahm
Stuart
Harp - Buddy Grecco
Ross Owens
Percussion - Bob
Lepre
Lead
vocal and guitar
on all songs plus all instuments and midi
on songs 7-16 - Bill
Ring
All
songs written,
arranged and pro-
duced by Bill Ring.
© 2004 William G. Ring